BIBLIOGRAPHY and SOURCES

 

1. Books and Articles Cited

Ader, Lidia. 2009. “Microtonal Storm and Stress: Georgy Rimsky-Korsakov and Quarter-tone Music in 1920’s Soviet Russia”. In Tempo Vol.63 No.250, 27-44. Cambridge: Cambridge University Press.

Bartolozzi, Bruno. 1967. New Sounds for Woodwind. London: Oxford University Press.

Cox, Nicholas. 2005. “Preface”. In Weinberg, Miecysław (Vainberg, Moisei Samuilovich). 
Sonate für Klarinette (in A) und Klavier op.28 (1945). New York, Hamburg: Peermusic. 

Dorfman, Joseph. 1994. “Preface”. In Five Images after M. Chagall. Trio for clarinet, cello and piano (1987). New York, Hamburg: Peermusic.

Fanning, David. 2010. Mieczysław Weiberg. In Search of Freedom. Hofheim: Wolke Verlag. 

Frolova-Walker, Marina.2007. Russian Music and Nationalism from Glinka to Stalin. New Haven: Yale University Press.

Gojowy, Detlef. 1980. Neue sowjetische Musik der 20er Jahre. Regensburg: Laaber Verlag.

Gladkova, Olga.1999. Galina Ustvolskaya. Muzyka kak navazhdenie. St Petersburg: Muzyka.

Hakobian, Levon. 2017. Music of the Soviet Era: 1917— 1991. Second edition. London, New York: Routlegde.

Hoeprich, Eric. 2008. The Clarinet. New Haven, London: Yale University Press.

Kholopov, Yury. 2002. “Russians in England”. In «Ex Oriente…» Ten Composers from the Former USSR, edited by Valeria Tsenova, 207-266. Berlin: Ernst Kuhn. 

Kholopov, Yury and Valeriya Tsenova. 1993. Edison Denisov. Moscow: Kompozitor.

Kholopova, Valentina. 2002. “Viktor Suslin: the revelation of opportunities which progress has missed.” In «Ex Oriente…» Ten Composers from the Former USSR, edited by Valeria 
Tsenova, 179-187. Berlin: Ernst Kuhn.

Kozlovski, Kirill. 2017. Shostakovich´s Preface and Russian Literary Criticism. Helsinki: Sibelius Academy, University of the Arts, EST publication series.

Kravets, Nelly, 2006. ”The Musical Activity of the Zimro Chamber Ensemble and Sergei Prokofiev´s Overture on Jewish Themes.” In On the History of Jewish Music in Russia, edited by G.V. Kopytova and A.S. Frenkel, 256-283. St. Petersburg: Jewish Community Center of St. Petersburg.

Kroll, Oskar. 1965. Die Klarinette. Kassel: Bärenreiter.

Kurtz, Michael. 2001. Sofia Gubaidulina: Eine Biographie. Stuttgart: Urachhaus.

Levik Boris. 1934. “A. A. Krein. Zametki o tvorcheskom puti”. In: Sovetskaya Muzyka 1934 No.1, 37-51. Moscow: Soyuz sovetskikh kompozitorov.

Loeffler, James. 2010. The Most Musical Nation. Jews and Culture in the Late Russian Empire. New Haven, London: Yale University Press.

Lokshin, Aleksandr A. 2004. Genii zla. Moscow: avtorskaya redaktsiya.

Lokshin, Aleksandr A. 2018. Mne pomoglo Providenie? Moscow: Maks Press.

Maistrenko, Alexander. 2017. Klarnet i saksofon v Rossii. St. Petersburg: Planeta Muzyki.

Mozgovenko, Ivan. 2005. Solo dlya klarneta. I ne tolko… Moscow: Aplit.

Nemtsov, Jascha. 2008. Enzyklopädisches Findbuch zum Archiv der “Neuen Jüdischen Schule”. Wiesbaden: Harrassowitz.

Nemtsov, Jascha. 2004. Die Neue Jüdische Schule in der Musik. Wiesbaden: Harrassowitz.

Nemtsov, Jascha. 2000. “Aleksandr Veprik. Ein Komponistenporträt”. In Komponisten unter Stalin, edited by Friedrich Geiger, 43-54. Dresden: Hannah-Ahrendt-Institut.

Nemtsov, Jascha. 2000. “Die Gesellschaft für jüdische Musik in Moskau (1923–1931)”. In Komponisten unter Stalin, edited by Friedrich Geiger, 29-42. Dresden: Hannah-Ahrendt-Institut.

Ponyatovsky, Stanislav. 2003. Persimfans - Orkestr bez dirizhera. Moscow: Muzyka.

Pospelov, Pyotr. 2002. “Yury Kasparov: the tonic of musical life”. In «Ex Oriente…» Ten Composers from the Former USSR, edited by Valeria Tsenova, 131-153. Berlin: Ernst Kuhn.

Prokofiev, Sergey. 2002. Dnevnik (Diary). 2 vols. Paris: sprkfv.

Redepenning, Dorothea. 2008. Geschichte der Russischen und Sowjetischen Musik. Laaber: Laaber Verlag.

Rice, Albert R. 2017. Notes for Clarinetists: a guide to the Repertoire. New York: Oxford University Press.

Schmelz, Peter J. 2009. 'Such Freedom, if only Musical', Unofficial Soviet Music during the Thaw. Oxford: Oxford University Press.

Schröder-Nauenburg, Beate. 2000. “Aleksandr Vepriks jüdische Kompositionen der zwanziger Jahre”. In Komponisten unter Stalin, edited by Friedrich Geiger, 65-80. Dresden: Hannah-Ahrendt-Institut.

Shakhman, Igor. 2003. “Development of Clarinet Performance in the Moscow Conservatory”. In The Clarinet, Journal of the International Clarinet Association, Vol. 31 No. 1, 74-78. Idaho: Department of Music, Idaho State University.

Streller, Friedbert. Sergej Prokofjew und seine Zeit. Laaber: Laaber Verlag.

Strom, Yale. 2002. The book of klezmer. The History, the Music, the Folklore. Chicago: Chicago Review Press.

Suslin, Viktor. 2002. “The Music of spiritual independence: Galina Ustvolskaya”.  In «Ex Oriente…» Ten Composers from the Former USSR, edited by Valeria Tsenova, 99-104. Berlin: Ernst Kuhn.

Tsenova, Valeria. 2003. “The ‘culturology’ of Vladimir Tarnopolsky.” In «Ex Oriente… -II» Nine Composers from the Former USSR, edited by Valeria Tsenova, 211-238. Berlin: Ernst Kuhn.

Tsenova, Valeria. 2002. “To say it in his own words: the music of Andrei Eshpai”.  In «Ex Oriente…» Ten Composers from the Former USSR, edited by Valeria Tsenova, 67-98. Berlin: Ernst Kuhn.

Weston, Pamela. 2000. “The First Hundred Years of Clarinetistry in Czarist and Soviet Russia”. In The Clarinet, Journal of the International Clarinet Association, Vol. 27 No. 4, 58-60. Idaho: Department of Music, Idaho State University.

Weston, Pamela. 1977. More Clarinet Virtuosi of the Past. London: published by the author.

Weston, Pamela. 1971. Clarinet Virtuosi of the Past. London: Robert Hale.

Vorobev, Igor. 2006. Russky Avangard i tvorchestvo Alexandra Mosolova 1920-1930-kh godov. St. Petersburg: Kompozitor.

Yoffe, Boris. 2014. Im Fluss des Symphonischen. Eine Entdeckungsreise durch die sowjetische Symphonie. Hofheim: Wolke.

Zuk, Patrick and Marina Frolova-Walker (eds.). 2017. Russian Music since 1917: Reappraisal and Rediscovery. Oxofrd: Oxford University Press.

 

2. Scores 

Agopov, Vladimir. 2015. Sonata for clarinet and piano op.6 (1981). Helsinki: Ruslania Edition.

Artyomov, Vyacheslav. 1994. Sonate für Klarinette Solo (1966). Frankfurt, Leipzig, London, New York: Henry Litolff’s Verlag / C. F. Peters.

Denissow (Denisov), Edison. 1973. Sonate für Klarinette in B (1972). Köln: Musikverlage Hans Gehrig. 1980 assigned to Breitkopf & Härtel, Wiesbaden.

Denissow (Denisov), Edison. 1987. Quintett für Klarinette, 2 Violinen, Viola und Violoncello. Hamburg: Musikverlag Hans Sikorski.

Dorfman, Joseph. 1994. Five Images after M. Chagall. Trio for clarinet, cello and piano (1987). New York, Hamburg: Peermusic.

Einfelde, Maija. 2015. Skumjās serenades. Trīs dziedājumi mirstošajai jūrai (Mournful Serenades) (1988). Riga: Musica Baltica.

Firssowa, Jelena (Firosva, Elena). 1996. Sonate für Klarinette op.16 (1976). Hamburg: Musikverlag Hans Sikorski.

Frid, Grigory. 1983. Third Sonata for Clarinet and Piano op. 75 (1982). Moscow: Sovetsky kompozitor.

Kasparov, Yuri. Undated. Notturno for clarinet, violin and piano (1990). Paris: Le Chant du Monde.

Khachaturian, Aram. 1977. Trio dlya klarneta, skripki i fortepiano (1932). Moscow: Muzyka.

Krein, Grigory. Undated. Poema dlya klarneta i fortepiano (1940). Manuscript copy.

Krein, Grigory. Undated. Rapsodia dlya klarneta I fortepiano (1941/1948). Manuscript copy.

Krein, Grigory. Undated. Kvartet dlya klarneta, skripi, violoncheli i fortepiano (1939/1940). Moscow: Muzgiz.

Lokshin, Alexander. Undated. Quintet for clarinet, 2 violins, viola and cello. Paris: Le Chant du 
Monde. 

Lourié, Arthur. 1958. The Mime for clarinet solo. New York: Rongwen Music.

Podgaits, Efrem. 2017. “Do poslednego vzdokha”. Sonata dlya klarneta solo soch.83 ("Until the Last Breath") (1990/2017). Manuscript copy.

Rayeva, Olga. 1990. Zhenshchina-Ptitsa (Lady-Bird) for Thermenvox and Clarinet (1990). Manuscript copy.

Prokofiev, Sergey. 1966. Uvertyura na evreiskie temy (Overture on Hebrew Themes) op.34. Moscow: Muzgiz. 

Senderey, Samuil. 1948. Tri Pesy dlya klarneta i fortepiano (Three Pieces for clarinet). Moscow: Muzgiz.

Stillman, Michel. 1932. Fantasy on a Chassidish Theme for clarinet, string quartet and piano. Wien, Leipzig: Edition Jibneh.

Tarnopolski, Vladimir. 1989. Otzvuki Proshedshchego Dnya (Echoes of the Passing Day. Fantasy on Joyce’s Ulysses) (1989). Manuscript copy.

Tishchenko, Boris. 2001. Concerto for clarinet and piano trio op. 109. St Petersburg: Kompozitor.
 
Tchemberdji, Katia. 2005. Sonate für Klarinette und Klavier (1990). Hamburg: Musikverlag Hans Sikorski.

Ustwolskaja (Ustvolskaya), Galina. 1993. Trio für Klarinette, Violine und Klavier (1949). Hamburg: Musikverlag Hans Sikorski.

Weprik (Veprik), Aleksandr. 1932. Strogii Napev, Chant rigoureux op.9. Moscow: Muzgiz.

Weinberg, Miecysław (Vainberg, Moisei Samuilovich). 2005. Sonate für Klarinette (in A) und Klavier op.28 (1945). New York, Hamburg: Peermusic. 

3. Artistic Research

Assis, Paulo de. 2018. Logic of Experimentation: Rethinking Music Performance Through Artistic Research. Leuven: Leuven University Press, Orpheus Institute Series.

Coessens, Kathleen, Darla Crispin and Anne Douglas. 2009. The artistic turn: a manifesto. Leuven: Leuven University Press. 

Järviö, Päivi. 2011. A singer's sprezzatura : a phenomenological study on speaking in tones of Italian early baroque music. Jyväskylä: Acta Musicologica Fennica.

Karttunen, Assi. 2006. Humanismin perintö ranskalaisessa kantaatissa vuosina 1700-1730. Helsinki: Sibelius Academy, University of the Arts, EST publication series.

Kozlovski, Kirill. 2017. Shostakovich´s Preface and Russian Literary Criticism. Helsinki: Sibelius Academy, University of the Arts, EST publication series.

Laws, Catherine. 2014. ”Embodiment and Gesture in Performance: Practice-led Perspectives”. In Artistic Experimentation in Music, edited by Darla Crispin and Bob Gilmore, 131-141. Ghent: Orpheus Institute Series. 

Le Guin, Elisabeth. 2006. Boccherini’s Body: An Essay in Carnal Musicology. Berkeley, Los Angeles, London: University of California Press.

Mali, Tuomas. 2004. Pianon sisältä. Helsinki: Sibelius Academy, DocMus doctoral school. 

Parko, Maija. 2016. Pianist’s experiential knowledge production in Debussy’s prelude Les sons et les parfums tournent dans l’air du soir. Helsinki: Sibelius Academy, DocMus doctoral school. 

Raasakka, Mikko. 2010. Exploring the Clarinet. Helsinki: Fennica Gehrman.

Raasakka, Mikko. 2005. Aapelin uudet soitteet. Helsinki: Fennica Gehrman.

Sumelius-Lindblom, Eveliina. 2020. “Hybrid intertextuality as a conceptual result of a performer’s research path: tracing neoclassical traits in Igor Stravinsky’s
Piano Rag-Music (1919).” In: Musiikki vol. 50, 1-2/2020, edited by Tuire Ranta-Meyer, Milla Tiainen and Laura Wahlfors, 123-156. Turku: Finnish Musicological Society. musiikki.journal.fi/article/view/95490

Vehviläinen, Anu. 2020. “Towards the Body: An Artistic Research on Orientations of Playing in Karol Szymanowski’s Piano Music.” In: Musiikki vol. 50, 1-2/2020, edited by Tuire Ranta-Meyer, Milla Tiainen and Laura Wahlfors, 157-189. Turku: Finnish Musicological Society. musiikki.journal.fi/article/view/95491

Vehviläinen, Anu. 2019. ”Quest for a Breathing Performance”. In Ruukku, issue 11. researchcatalogue.net/view/460869/460870

(Websites retreived on 01.01.2021)


4. Other Sources: Books, Websites, Archives and Libraries 

Books

Brymer, Jack. 1976. Clarinet. New York: Schirmer.

Danuser H. and Gerlach H., Köchel J. (eds.). 1990. Sowjetische Musik im Licht der Perestroika. Laaber: Laaber Verlag.

Frolova-Walker, Marina and Walker, Jonathan. 2012. Music and Soviet Power 1917-1932. Woodbridge: The Boydell Press.

Geiger, Friedrich (ed.). 2000. Komponisten unter Stalin. Dresden: Hannah-Ahrendt-Institut.

Gojowy, Detlef. 1993. Arthur Lourié und der Russische Futurismus. Laaber: Laaber Verlag.

Herrala, Meri E. 2012. The struggle for control of Soviet music from 1932 to 1948 : socialist realism vs. western formalism. Lewiston : Edwin Mellen Press.

Ho, Allan and Feofanov, Dmitry (eds.). 1989. Biographical Dictionary of Russian/Soviet Composers. Westport: Greenwood Press.

Jaffé, Daniel. 2012. Historical Dictionary of Russian Music. Lanham: Scarecrow Press.

Keldysh, Yuri et al. (eds.). 1973-82. Muzykal’naia Entsyklopedia, vols. 1-6. Moscow: Sovetskaya entsiklopediya.

Lemaire, Frans. 1994. La musique du XX. siècle en Russie et dans les anciennes Républiques Soviétiques. Paris: Fayard.

Levaya, Tatyana. 2005. Istoriya Otechestvennoi muzyki vtoroi poloviny XX veka. Moscow: Muzyka.

Likhacheva, Irina (ed.). 1994. Kompozitory Moskvy. Moscow: Kompozitor.

Maes, Francis.1996. Geschiedenis van de Russische muziek. Amsterdam: SUN.

Mikkonen, Simo. 2007. State composers and the red courtier: music, ideology, and politics in the Soviet 1930s. Jyväskylä: Jyväskylä University.

Móricz, Klára. 2008. Jewish Identities: Nationalism, Racism, and Utopianism in Twentieth-Century Music. Berkeley: University of California Press.

Moss, Kenneth. 2009. Jewish Renaissance in the Russian Revolution. London: Harvard University Press. 

Raasakka, Mikko. 2010. Exploring the Clarinet. Helsinki: Fennica Gehrman.

Restle, Conny and Heike Fricke (eds.). 2004. Faszination Klarinette. München: Prestel.

Schwarz, Boris. 1972. Music and Music Life in Soviet Russia 1917-1970. New York: Norton.

Suslov, Stanislav. 2002. Stanovlenie otechestvennoi shkoly obucheniya igre na klarnete. Moscow: Moscow Lermontov University. 

Tarakanov, M.E. and Dolinskaya. E. B. (eds.). 1995, 1999, 2001. Istorya sovremennoi otechestvennoy muzyki (vypuski 1, 2, 3). Moscow: Muzyka. 

Taruskin, Richard. 2016. Russian Music at Home and Abroad. Oakland: University of California Press.

Taruskin, Richard. 2009. On Russian Music. Berkeley: University of California Press.

Taruskin, Richard. 2005. The Oxford History of Western Music: Music in the early twentieth century, Music in the late twentieth century. Oxford: Oxford Music Press.

Taruskin, Richard. 1997. Defining Russia Musically. Princeton: Princeton University Press.

Tsenova, Valeria (ed.). 2003. «Ex Oriente… - II» Nine Composers from the Former USSR. Berlin: Ernst Kuhn.

Tsenova, Valeria (ed.). 2003. «Ex Oriente… - III» Eight Composers from the Former USSR. Berlin: Ernst Kuhn.

Tsenova, Valeria (ed.). 2002. «Ex Oriente…» Ten Composers from the Former USSR. Berlin: Ernst Kuhn.

Tsenova, Valeriya (ed.). 1996. Muzyka iz byvshego SSSR. Vypusk 2. Moscow: Kompozitor.

Usov, Yury (ed.). 1989. Portrety sovietskikh ispolnitelei na dukhovykh instrumentakh. Moscow: Sovietskiy Kompozitor.


Websites (retreived on 01.01.2021)

Homepage of Olga Rayeva: www.olgarayeva.com

Homepage of Efrem Podgaits: www.podgaits.info

Homepage of Katia Tchemberdji: www.tchemberdji.com

Homepage of the Verdehr Trio: www.verdehr.com

Estonian Music Information Centre: www.emic.ee

Latvian Music Information Centre: www.lmic.lv

Lithuanian Music Information Centre: www.mic.lt

Grove Music Online: www.oxfordmusiconline.com

Russian online encyclopedias: www.dic.academic.ru

 

Archives and Libraries 

GTsMMK, The Glinka Museum of Musical Culture, Moscow

RGALI, The Russian State Archive for Literature and Art, Moscow

Taneev Research Music Library of the Moscow State Tchaikovsky Conservatory, Moscow

RGB, Russian State Library, Moscow 

Scientific Music Library of the Saint Petersburg State Rimsky-Korsakov Conservatory, St Petersburg 

Estonian Academy of Music and Theater Library, Tallinn

Jāzeps Vītols Latvian Academy of Music Library, Riga

Lithuanian Music and Theatre Academy Library, Vilnius

V. Sarajishvili State Conservatoire Library, Tbilisi